Oswaldo Maciá work about
UNDER THE HORIZON,

Under the Horizon
2011-17
Olfactory-acoustic scenario

For centuries humans have used the immeasurable line of the horizon to navigate from one place to another. ’Under the Horizon’ employs sculptural conventions and narrative expectations. A plinth elevates a bath to eye level. From the taps a black liquid holding the scent of ‘under’ is constantly running, the flow unchecked. The smell composition draws from the scent of organisms growing under the earth. Cloth being stitched by machines mixes with the sound of artificial rain being used to test the durability of the clothing for use in extreme weather. These recordings were made by the artist in a Bulgarian factory manufacturing military uniforms.

Presented at:
Equations at Centro Atlantico de Arte Moderno (CAAM), San Antonio Abad, Las Palmas de Gran Canaria, Spain (2017)
Rohkunstbau XVIII at Schloss Marquardt, Berlin, Germany (2011)

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